Eric Carlson, 1997 |
Small "poop" models used to create big poop snake. |
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The word Quetzalcoatl is derived from Quetzal and Coatl - literally Quetzal Serpent. A Quetzal is a brightly plumed tropical bird with brilliant bronze, green and red plumage. Imagine a cross between a parrot and a Las Vegas show girl. Robert Graham's Quetzalcoatl ascends almost eight feet into the San Jose skyline. The original design called for a three-story edifice of gleaming cast-bronze - it was discarded as being too expensive. The bronze would have echoed the plumage of a Quetzal, as well as the association Quetzalcoatl had with corn. Graham's Quetzy is derivative of existing statues displayed at the National Museum in Mexico, described by D.H. Lawrence in 1926 as, " ... snakes coiled like excrement, snakes fanged and feathered beyond all dreams of dread." That is the problem. Graham's slavish re-creation of this ancient, snake-focused motif, albeit authentic in origin, is hardly what a city yearning for a nationally recognizable icon needs. The esthetics of the Aztecs are hardly the esthetics of chic and worldly San Joseans. Gregory A. Dobie, University of Texas,
in his splendid thesis, It is planted across the street from the Fairmont Hotel in a far corner of the Plaza de Cesar E. Chavez - on a tiny disheveled traffic island. The statue is surrounded by Port-a-Potties during the Christmas in the Park Celebration. Quetzy was constructed by William Kreysler & Associates. Graham provided them with an 8-inch model to work from. The finished snake is charcoal gray and cast in artificial stone - composite artificial cement. Something appears to have gone awry in the construction process - accounting for jagged "lines" and poorly fitting "pieces." The 8-inch model doesn't appear to be flawed. Infrared Quetzy ala Porta - Potties |
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